The kangaroo jumps up and down, the beavers gnaw day and night, the alligator glides through the legato. Can the pony keep in step? And how nobly the lion strides!The well-known Polish violin teacher Antoni Cofalik takes his young pupils on an exciting walk through the zoo, depicting fifteen animals in simple but distinctive and highly unusual character pieces. When the teacher plays the enclosed piano accompaniment, the result is a wide range of sounds that guarantee fun in lessons and applause during performances!- Character pieces for young violinists- Fun while learning to play the violin- Separate piano part´´I am sure this book will fire the imagination of young players.´´(ESTA News Views, Summer 2004) •Wir gehen in den Zoo •Das Känguru •Der Bär •Das Pony •Das Rentier •Zwei kleine Esel •Das Krokodil •Die Biber •Der Elefant •Der Grashüpfer •Die Ameisen •Der Löwe •Die Antilope •Die Robbe •Unsere lieben Schüler Edition no.: BA 8139ISMN: 9790006523634Product format: Score, Part(s)Includes the following individual parts: Violin, PianoBinding: StapledPages / Format: 16/20 S. - 29,7 x 21,0 cm
Suivant Starter Solos, Skilful Solos est le nouveau recueil motivant offrant une présentation structurée des techniques de jeu et d’apprentissage. Les solos composés par Philip Sparke constituent les premiers pas plaisants de votre entrée dans le formidable monde de la musique ! Sur le compact disc inclus, vous trouverez une version intégrale de chaque pièce ainsi qu’une version où ne subsiste que l’accompagnement ; la version papier des accompagnements de piano est jointe au recueil.1 1. Nice to See You Again 2 2. Pony and Trap 3 3. Summer Siesta 4 4. Spring Compositeur: Vivaldi, Antonio5 5. A Victorian Ballad 6 6. Trumpet Tune 7 7. Promenade 8 8. Greensleeves Compositeur: Traditional9 9. Could You Repeat That? 10 10. Alladale Aria 11 11. Scales of Justice 12 12. Largo from Winter Compositeur: Vivaldi, Antonio13 13. Waltz with Variations 14 14. At the Circus 15 15. Adagio Compositeur: Mozart, Wolfgang Amadeus16 16. Marche Militaire Compositeur: Schubert, Franz17 17. Thinking of You 18 18. Fives and Threes 19 19. Daydream 20 20. Rhode Island Rag
Band I: VorstufeInstrument : pianoNombre de Pages : 34Content : Gurlitt: Auf dem Spielplatz; Kleiner Wanderer; Kranke Puppe; Heiterer Morgen; An der Quelle; Pony-Reiten; Espenlaub; Rollschuhläufer; Vögleins erster Flug; Im Ruderboot; Schwalbe im Fluge; Im Buchenhain; Froher Mut - Bertint: Froher Sinn; Springseil; Im eiligen Lauf; Ballspiel; Auf dem Lande; Eilende Wolken - Brunner: Wettlauf; Hachemann; Schlittschuhläufer; Skiläufer; Auf dem Zweirad; Forelle im Bach; Weiß- Schwarz im steten Wechsel - Czerny: Kleine Schwätzerin; Heinzmännchen; Rechte Hand stets gewandt; Linke Hand will nicht zurückstehen; Kleine Studie; Gefesselte Finger; Frisch und frei; Ungeduld; Nur nicht verzagt - Burgmüller: Arabeske; Nach Hause; - Mayer: Gondelfahrt - Lemoine: Dauerlauf; Reifentreiben; Wanderlust; Die Schwalben tummeln sich - Duvernoy: Auf dem Schulweg; Am Mühlbach;
Instrument/Discipline : PianoStyle/Genre : Musique de filmSupport : Livre94 thèmes des séries les plus célèbres arrangés pour piano solo. Inclus les séries Sex and City, Happy Days, Mission Impossible et L´Agence tout Risque.Contenu :A Touch Of Frost; Agatha Christie´s Poirot; ´allo ´Allo; Are You Being Served?; Band Of Brothers; Baywatch (I´m Always Here); Bergerac; Between The Lines; Blackadder; Brideshead Revisited; Brookside; Cagney And Lacey; Campion; Casualty; Cheers (Where Everybody Knows Your Name); Cold Feet; Columbo; Coupling (Perhaps, Perhaps, Perhaps); Crossroads; Dangerfield; Dragnet; Eastenders; Emmerdale; Eye Level (Van Der Valk); Fawlty Towers; Gimme! Gimme! Gimme!; Goodnight Sweetheart; Half The World Away (The Royle Family); Happy Days; Heartbeat; Hetty Wainthropp Investigates; Hi De Hi (Holiday Rock); Hollyoaks; Home And Away; I Don´t Want To Wait (Dawson´s Creek); Irene´s Song (The Forsyte Saga); Ironside; It Ain´t Half Hot Mum (Meet The Gang); Jeeves And Wooster; Jonathan Creek; Judge John Deed; Kojak; Law And Order; London´s Burning; Lovejoy; Magnum P.I.; Maigret; Miami Vice (Crockett´s Theme); Miss Marple; Mission: Impossible; Moonlighting; Mork And Mindy; Murder She Wrote; Neighbours; Northern Exposure; Oliver Twist; One Foot In The Grave; Only Fools And Horses; Open All Hours; Perry Mason; Pride And Prejudice; Quincy, M.E.; Red Dwarf; Rosemary And Thyme; Sex And The City; Silent Witness; Six Feet Under; Smack The Pony (In The Middle Of Nowhere); Songs Of Love (Father Ted); Spooks; Steptoe And Son (Old Ned); Taggart (No Mean City); Tales Of The Unexpected; Taxi (Angela); Thank You For Being A Friend (The Golden Girls); The ´A´ Team; The Good Life; The League Of Gentlemen; The Munsters; The Muppet Show Theme; The O.C. (California); The Odd Couple; The Persuaders; The Professionals; The Ruth Rendell Mysteries; The Sweeney; This Wheel´s On Fire (Absolutely Fabulous); Tossed Salad And Scrambled Eggs (Frasier); Twin Peaks; Upstairs Downstairs; Who Do You Think You Are Kidding Mr Hitler? (Dad´s Army); Woke Up This Morning (The Sopranos); Wycliffe; Yes Prime Minister
Late-elementary and early-intermediate piano students will enjoy the seven solos in Book 2. Taco Rock, Appaloosa Pony and Lady Brittany´s Ballad are just three of the popular solos in this collection. The variety of music in this collection will be appealing to students at this level.
DescriptionTwelve easy pieces for piano written and arranged by Carol Barratt. An entertaining selection all about animals: superbly arranged classics plus imaginative original pieces. Includes music from ´Peter And The Wolf´, ´Carnival Of The Animals´ and Carols Barratt´s ´Giraffes´.Suitable for players of grade 1 to grade 2 standard.SonglistAunty Lizzie´s Old PigGiraffesSheep May Safely Graze (Cantata No.208) [Bach, Johann Sebastian]Swan Lake Op.20 [Tchaikovsky, Pyotr Ilyich]The BearThe Cat From Peter And The Wolf (Prokofiev)The Cat In The CornerThe CrowThe Cuckoo (Muller)The Duck (Peter And The Wolf) [Prokofiev, Sergei]The Elephant (Carnival Of The Animals) [Saint-Saens, Camille]The Pony (Couppey)
An Extensive collection of reels, jigs, hornpipes and polkas from the French Canadian, Cape Breton, Scottish, Shetland, New England, and Southern Old Time Traditions arranged for the piano accordion. Written with the beginner as well as the advanced player in mind, the arrangements are complete with ornamentation, fingering, left hand notation and chord symbols. Appropriate for any G clef instrument.A Finnish Polka Albert´s Hornpipe Andy Dejarlis Angeline The Baker Angus Chisholm´s Favourite Aubey Foley´s Jig Auld Snatwell Bachelder´s Reel Bay Of Fundy Beauties Of The Ballroom Bonaparte Crossing The Rhine Bonnie Banchory Cape North Jig Charleston Gals Chorus Jig Corn Rigs Cropie´s Strathspeys Da Auld Stoer´s Back Agen Da Corbie An´ Da Craw Da Forefit O Da Ship Da Galley Watch Da Scalloway Lasses Da Shaalds O´foula Da Underhill Dave Marsh´s Favourite Donald John The Tailor Down The Brae East Tennessee Blues Elizabeth´s Big Coat Forester´s Hornpipe Garster´s Dream General Drummond General Stewart Glasgow Hornpipe Growling Old Man, Grumbling Old Woman Haste To The Wedding Highlander´s Farewell Highlander´s Jig Indian Reel Ingonish Jig Jimmy Allen Juliann Johnson Kiss Her Sweetly La Bastringue La Grande Chaine La Grondeuse Lady Gordon Of Gordonstown Lady Of The Lake Liza Jane Macbeth´s Strathspey Mackilmoyle Reel Major Molle´s Andrew GowMarcel Martine Mickie Ainsworth Miss Betty Ann Gordon Miss Drummond Of Perth Miss Hannah´s Jig Miss Mcleod´s Reel Mouth Of The Tobique Mr. Morison Of Bognie William MarshallNancy Ann Oot Be Est Da Vong Opera Reel Pays De Haut Peter Francisco Pit Hame Da Borrowed Claes Po´ Liza President Garfield´s Hornpipe Quindaro Hornpipe Reconciliation Reel Alouette Reel De Beatrice Reel De Montreal Reel Des Ouviers (Walker St.) Reel St. Antoine Reel St. Jean Rickett´s Hornpipe Rock The Cradle Joe Ross´s Reel No. 4 Sandy Boys Seneca Square Dance Shenandoah Falls Sillocks And Tatties Smith´s Hornpipe Spey The Spate J. Scott SkinnerSpootiskerry Spotted Pony Square Da Mizzen St. Anne´s Reel Staten Island Hornpipe Tam´s Grey Mare The Boatman Dance The Braes Of O´tullymet The Devil´s Dream The Drunken Wives Of Fochabers The Gaspe Reel The Mason´s Apron Timour The Tartar J. Scott SkinnerWest Fork Gals J. Scott SkinnerWoodchopper´s Reel
- Winner, SeptimusFavorite Melody- Krogmann, Carrie WilliamsThe Pony Race- Volti, CarlPas redouble- TraditionalEnglish Folk Song·- Winner, SeptimusThe Last Rose of Summer- Nölck, AugustStudy- Greenwald, MartinArminta Waltz- Woodforde-Finden, AmyThe Temple Bells- Mendelssohn, LudwigSerioso- Lagye, BénoniDanse Espagnole- Leonardi, SalvadorCapriccio Polka- Leonardi, SalvadorTarantellaThe 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the ´´Early Start” method, Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.The ´´Cello Recital Album”, Volume 2 (BA 8995), can be used as a supplement to the ´´Early Start on the Cello” method, Volumes 2 and 3 (BA 8997 and BA 8998).Collections of recital pieces for the cello:• Charming collections of easy pieces in first position• Each cello part is supported by a piano accompaniment for student performances• Alternately a second cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole.• The two volumes (BA 8994, Ba 8995) are designed as companion publications to the Early Start on the Cello method. However, they work equally well as a supplement to any other cello method.• A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen, Hugo Schlemüller, and August Nölck make these publications attractive to teachers and students.
(See For Miles Records)) 26 tracks Stateside & Columbia - It was in June 1967 that the ´Atlantic Soul Review´ hit Amsterdam to play a concert at its renowned concert hall, the Concertgebouw. The star studded pack-age featured some of the finest talent from the Atlantic and Stax labels such as Sam and Dave, Eddie Floyd, Carla Thomas, Arthur Conley and Booker T and the MG´s. Wilson Pickett had been announced as the headliner of the show, but he appeared to be indisposed and was replaced by Lee Dorsey at the last minute. I had recently been installed as the label manager for the Stateside label at Bovema, the Dutch company that represented EMI Records. Lee´s recordings on the American Amy label were released on the Stateside label in Holland. I was duly consigned to perform the usual hospitality ritual bestowed on visiting international artists that the record company represented. In the case of Lee Dorsey, this proved to be a delightful job. Lee was a happy and easy going character with an infectious grin and chuckle. I spent one of my better nights out, introducing Lee to the various delights that Amsterdam had to offer during the late 1960´s, and I can assure you that he was great and appreciative company. The next evening he proved to be a consummate showman and hard worker as the only non-Atlantic/Stax artist in the ´Atlantic Soul Review´. Lee stole the show and won the hearts of the Dutch soul fans with his segment in the show, culminating in his suggestive and humorous rendition of ´Ride Your Pony´, which caused a near riot in the usually sedate Concertgebouw. Irving Lee Dorsey was born in New Orleans on December 4, 1926 and moved to Portland, Oregon at the age of 10. During the late 1940´s and early 1950´s Lee was a successful lightweight boxer, operating under the nickname ´Kid Chocolate´. He survived a four year stint in the Navy after which he resumed his boxing career. Lee hung up his boxing gloves during the mid 1950´s when he returned to New Orleans. Circa 195658 he met Allen Toussaint, either at a party or in a studio to which he had taken a page of verse in the hope of making a record out of it. At that time the younger Toussaint, born in New Orleans in 1938, had already passed through the R&B group leader and touring accompanist stages to begin his climb through the ranks of local session musicians. During the late 1950´s Lee made his first recordings for Joe Banashak´s Instant label. One of these singles was ´Lottie Mo´, which became a regional hit on which he was backed by Allen Toussaint, who also arranged the track. Marshall Sehorn, who was Southern promotion man, talent scout and sometime producer for Bobby Robinson´s New York based Fury label, heard ´Lottie Mo´ on the radio during one of his visits to New Orleans in 1960. Marshall was duly impressed by the record and Lee subsequently signed to the Fury label. ´Ya Ya´, Lee´s first Fury single, exploded and went to No. I R&B and No.7 Pop on the Billboard charts in September 1961. Petula Clark covered the song as ´Ya Ya Twist´ for consumption on the European market, and reached the UK Top 20 with it. Fury followed ´Ya Ya´ up with ´Do-Re-Mi´ in December 1961 and again Lee scored a considerable hit, peaking at No.27 Pop and 22 R&B on the Billboard chart. ´Do-Re-Mi´ was regularly performed by Georgie Fame and Dusty Springfield. Lee recorded another 3 singles for Fury, but the hits had dried up. A subsequent Fury album contained 15 tracks, Lee´s total recorded output for the label, recorded in New Orleans in 1961 and 1962. Allen Toussaint who wrote, arranged and produced hits for Joe Banashak at this time, also freelanced and almost certainly arranged and co-produced with Marshall Sehorn all of Lee´s Fury sides. Toussaint did not play piano on ´Ya Ya´ according to Kurt Mohr´s Lee Dorsey discography. The backing on ´Ya Ya´ was provided by: Marcel Richardson, piano; Melvin Lastie, trumpet; Harold Battiste, tenor sax; Red Tyler, baritone sax; Justin Adams, guitar; Chuck Badie, bass and John Boudreaux, drums. The back-up on ´Do-Re-Mi´ consisted of: unknown horns, Allen Toussaint, piano; Roy Montrell, guitar; Richard Payne, bass; and John Boudreaux on drums. The Fury label collapsed in 1963 and Allen Toussaint was drafted into the army at the same time Lee returned to his car repair business while his recording career temporarily stalled. During the next few years Lee, still managed and produced by Marshall Sehorn, had a single released on the Smash label and